Category: Digital print news

  • Buying Meaning: The Hidden Psychology Behind Handmade Choices

    Emotional connection: the core value of handmade products

    In today’s world dominated by industrialized production, handmade products, with their higher prices, still hold a significant market share. According to a survey on handmade goods purchases by the renowned online shopping platform Etsy, searches for “handmade gifts” on Etsy increased 238% year-over-year in the first quarter of 2024.

    Consumer Psychology expert Dr. Samantha Worthington noted in an audio interview,

    Samantha’s introduce (Credit:Samantha’s LinkedIn Homepage)
    Listen to Samantha’s ideas for the above. You can also listen on Soundcloud.

    “Handmade products create a deeper emotional connection. Buyers not only identify with the creator’s story, but through their purchases, they directly support individual workers rather than large corporations.”

    Moreover,she emphasized that this “emotional premium” comprises three key elements: Uniqueness (consumers value), Ethical Consumption (a focus on sustainability), and a psychological desire to Resist fast-food consumption.

    The practice of Abigail Brown , a collector and handicraft artist, embodies this theory.Why does she still gravitate towards collecting “handmade” items in today’s world of highly efficient machine production?

    Abigail’s collections (Credit: Abigail’s Instagram)

    “Every handmade piece carries the cultural DNA and traces of the maker’s life,” she said , “The love that goes into an object can never be replicated by machine-made products.”

    “It’s a connection to people, to cultures, their different lives and stories. Each handcrafted item will always be unique and there’s something very special about that.”

    Social Media: A Catalyst for Consumer Decisions

    The survey results show that “crochet is rapidly growing in popularity in searches and social media hashtags, and it dominates TikTok hashtags.”

    Hashtags Use in Crafts (Credit: AXA Website’s Data)

    Furthermore, according to Google search volume analysis, searches for “best wool for crochet” increased by 22% year-over-year, demonstrating that handicrafts like knitting have become a major trend among consumers.

    Samantha analyzed this from a behavioral psychology perspective:

    “Social platform algorithms reinforce users’ value orientations. After consumers search for handmade products, the system builds trust through repeated exposures.”

    Citing the theory of “Confirmation Bias,” she explained that this exposure mechanism can increase awareness of handmade brands.

    Abigail’s collecting behavior is also influenced by digital technology. She not only promotes her independent sales website through social media platforms,but also posts her collections on Instagram, connecting with other like-minded collectors and boosting sales for her brand.

    Abigail’s collections
    (Credit: Abigail’s Instagram post)
    Abigail’s websites
    (Credit: screenshot from Abigail’s Website )

    Overall,social media platforms are the preferred medium for content distribution.90% of B2B marketers report that they use their brand’s social media platforms to distribute their content to their audience.

    Identity expression: The underlying motivation behind collecting behavior

    Regarding factors influencing collecting behavior, such as the background of the creation, Abigail noted:

    “It doesn’t affect my decision to buy or not—it’s the piece itself that attracts me, but I like to learn about the maker and their process whenever possible.”

    Abigail’s collections
    (Credit: Abigail’s Instagram )

    “Handmade products are an extension of consumers’ self-identity,” as Samantha mentioned in the interview audio.

    According to survey data from Craft Council, uniqueness is the primary reason consumers purchase handicrafts, accounting for 51%.

    Survey data about the reason of buying crafts

    (Credit: Craft Council website)

    Therefore, consumers feel they own something very unique and original, which creates an emotional connection. They view originality and handmade products or goods as expressions of their own identity and taste.

    Based on the above interviews, we delved deeper into the real reasons behind handcrafted item purchases. Abigail expressed her deep love for handcrafted items, saying,

    “The signs of someone’s hand, their individuality, their uniqueness affecting the item—that makes it very special. It feels to me that a handcrafted item carries a little of the soul of the person who made it; the marks of the maker’s hand tell a story.”

    This demonstrates that while standardized, machine-made products meet basic functional needs, handmade products are carving out new market space in terms of emotional value and identity.Industry observer points out that the forecast period from 2024 to 2032 holds immense potential for the handicrafts market, with an anticipated CAGR of 11.8%.

    Handicraft brands that combine craftsmanship heritage with innovative expression will continue to be a popular trend. This is not just a commercial phenomenon,it also reflects the industrialized society’s contrarian desire for the humanistic spirit.


    About The Interviewee

    Samantha Worthington

    CEO & Founder of WORTH Women Consumer Psychology and Human Behaviour Specialist | Strategic Commercial Business Expert | Author | Keynote Speaker | Business Woman of the Year (BWASA) 2016

    About The Interviewee

    Abigail Brown

    British multidisciplinary artist and folk art collector (@22k Instagram followers),fascinated by handmade objects bearing creators’ marks


    DISCLAIMER

    This website is produced by journalism students. The views expressed on the site are not that of Newcastle University. They are the personal views of the student editors and contributors to this website. Seek professional advice for any health-related matter. Every effort is made to ensure that information contained on this website is accurate and up-to-date. However, information is subject to change and we can not accept liability for the accuracy of all the information presented at any given time. We do occasionally provide links from our website to information from third parties. We accept no responsibility for information obtained through such links.

  • From puppets to pottery: The business of craftsmen in the machine age

    Social media: a new stage for traditional crafts

    In the machine age, more and more traditional artists are finding new life through the power of social media. One such artist is Italian puppeteer Antonio Pinnaro , who primarily sells his works offline but is well aware of the power of social media.Through Instagram and Redbook,he has made his puppet art more visible to more people.

    Video from Antonio’s Instagram account

    “Social media gives me visibility and recognition,” Antonio said. “The soul of my creation lies in the time invested, not just the finished product. In the future, I may sell directly through social media, but the premise is to ensure that my work remains unique.”

    Antonio also mentioned that despite the exposure brought by social media, maintaining the quality of traditional craftsmanship remains a core challenge.

    Antonio’s photo with customers (Credit: his Instagram homepage)

    “New customers find me through Instagram every day, but I will stick to the rhythm of handmade production and will not sacrifice details for mass production.”

    This balance is a common issue faced by contemporary craftsmen – how to expand influence in the digital age without being kidnapped by online marketing.

    When asked what kind of business thinking should craftsmen have to cope with the competition of machine manufacturing, Antonio’s answer is quite philosophical:

    “I don’t think handicrafts and machine manufacturing are in a competitive relationship. Just like looking at a sea, the image on the postcard and the experience in reality are both beautiful, but the latter has more emotion, presence and authenticity. Perhaps it is precisely because Italy is one of the industrialized countries that people can more easily appreciate the difference between handmade and industrial products.”

    Antonio and the deputy mayor (Credit: his Instagram homepage)
    Listen to Antonio’s business model for the above. You can also listen on Soundcloud.

    Ceramic experience: selling emotions and time

    The Kiln Studios in Newcastle is a shop that focuses on ceramic experience. Unlike cheap tableware mass-produced in factories, their handmade products are more expensive: coasters and tiles are priced at £6 to £15, cups are priced at £16 to £22, plates are priced at £16 to £32, and bowls are priced at £19 to £28.

    Prices of various pottery items in the store (Credit: Yuting Guo)

    In an anonymous interview, when asked about the advantages of handmade pottery, a manager representative from The Kiln Studio revealed: “Machine-made tableware pursues efficiency and profit, while we provide a unique experience. Each piece carries the creator’s emotions and stories, which cannot be replicated by industrial production. Our customers buy not only objects, but also a warm time.”

    credit
    Young customers in the store
    (Credit by Yuting Guo)

    Through observations on the day, The Kiln Studios’ customers are mainly young people and students, who regard pottery painting as a date or social activity.

    Family customers also account for a certain proportion, and parents bring their children to enjoy parent-child interaction.

    Family customers in the store
    (Credit by Yuting Guo)

    “We don’t only sell goods, but emotional value.” The manager added.

    Social media also plays an important role in the operation of The Kiln Studios. “Instagram is our main marketing channel, and we also operate a Tiktok account,” the manager said. “Many customers discover us through social platforms. It not only helps us expand our influence, but also makes more people aware of the unique charm of handicrafts.”

    The platform algorithm prefers visual content, which just fits the display needs of pottery. The studio publishes photos of customers’ creative process and finished products every week. This real sharing often arouses the interest of local users.

    The Kiln Studio’s productions
    (Credit:Screenshot of The Kiln Studios’ Instagram homepage )

    “Some people even bring screenshots of social media to find the same design,” the employee said with a smile, “but we will encourage them to create their own version.”

    Future:Persistence and innovation coexist

    Whether it is Antonio’s puppet art or The Kiln Studios’ pottery experience, they have proved one point: in the machine age, the value of handicrafts lies not only in the product itself, but also in the emotions, stories and experiences behind it.

    According to the Craft Council’s 2025 survey report,
    “Although digital platforms play an important role in sales and promotion, people still strongly prefer offline sales of handicrafts: two-thirds (66.2%) of sales come from physical channels,while online sales account for only 16.6%.”

    Craft Council Makers Survey Report
    Majority of digital sales data
    (Credit: Craft Council Makers Survey)

    But it is undeniable that the rise of social media has provided a new living space for traditional crafts, and the innovation of business models has allowed craftsmen to find a way to compete with industrialization.

    The handicraft industry needs more attention and support!

    Only by adhering to the essence while embracing change can traditional crafts be reborn in the machine age.


    DISCLAIMER

    This website is produced by journalism students. The views expressed on the site are not that of Newcastle University. They are the personal views of the student editors and contributors to this website. Seek professional advice for any health-related matter. Every effort is made to ensure that information contained on this website is accurate and up-to-date. However, information is subject to change and we can not accept liability for the accuracy of all the information presented at any given time. We do occasionally provide links from our website to information from third parties. We accept no responsibility for information obtained through such links.